Édouard Vuillard, Portrait de Pierre Bonnard (1930-1935)

Roberta Serenari - Omaggio a Balthus (2003)

Eleuterio Pagliano  Scuola di Pittura

Sculptures by Keith Lemley by Amanda Jakubik The sensorial sculptures of Keith Lemley stem from the grand idea, that an “invisible presence exists in our minds and surrounds all objects, experiences, and memories,” states the Artist’s Statement. Check out how he translates that to art into interio

Sculptures by Keith Lemley by Amanda Jakubik The sensorial sculptures of Keith Lemley stem from the grand idea, that an “invisible presence exists in our minds and surrounds all objects, experiences, and memories,” states the Artist’s Statement. Check out how he translates that to art into interio

Sculptures by Keith Lemley by Amanda Jakubik The sensorial sculptures of Keith Lemley stem from the grand idea, that an “invisible presence exists in our minds and surrounds all objects, experiences, and memories,” states the Artist’s Statement. Check out how he translates that to art into interio

Thomas Edwin Roberts (1820 - 1901) - The discovery

Emilio Sobrero

Édouard Vuillard, Portrait de Pierre Bonnard (1930-1935)

Matthias Stormer (1600 - circa 1650) - Jacob and Esau

Cristina Francov - Insensitive to Your Flames

Love In White by Istvan Sandorfi

bath-salts: The Wings of Love by Stephen Pearson

Daniel G. Walczyk - Javascapes

来自摄影师 Marcel Christ 的作品《Clouds》（云），拍摄对象为水下的颜料

Albert Birkle

Flying Houses by Laurent Chehere illustration flying digital

A Man in a Room, 1630    Rembrandt van Rijn

Alfonso Simonetti (1840-1892) “Ancor Non Torna” for Radcliffe’s “Romance of the Forest”

Ethan Breckenridge - No Back to Turn Back To (2005)

Everett Shinn    The Singer, 1920

Alessandro Pomi (Italian, 1890-1976), Nello studio [In the studio], 1920s. Oil on canvas, 187 x 194 cm. Private collection.

Alessandro Pomi (Italian, 1890-1976), Cenacolo, 1931.

George Sotter (1879-1953), Silent Night (detail), ca. 1923

Vanity  Pierre Charles Comte (1823-1895)