Alessandro Pomi (Italian, 1890-1976), Nello studio [In the studio], 1920s. Oil on canvas, 187 x 194 cm. Private collection.
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Sculptures by Keith Lemley by Amanda Jakubik The sensorial sculptures of Keith Lemley stem from the grand idea, that an “invisible presence exists in our minds and surrounds all objects, experiences, and memories,” states the Artist’s Statement. Check out how he translates that to art into interio
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Sculptures by Keith Lemley by Amanda Jakubik The sensorial sculptures of Keith Lemley stem from the grand idea, that an “invisible presence exists in our minds and surrounds all objects, experiences, and memories,” states the Artist’s Statement. Check out how he translates that to art into interio
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Sculptures by Keith Lemley by Amanda Jakubik The sensorial sculptures of Keith Lemley stem from the grand idea, that an “invisible presence exists in our minds and surrounds all objects, experiences, and memories,” states the Artist’s Statement. Check out how he translates that to art into interio
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Alfonso Simonetti (1840-1892) “Ancor Non Torna” for Radcliffe’s “Romance of the Forest”
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Alessandro Pomi (Italian, 1890-1976), Nello studio [In the studio], 1920s. Oil on canvas, 187 x 194 cm. Private collection.
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