JaneFantasy
2013年1月8日 13:31
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Flying Houses by Laurent Chehere illustration flying digital

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Roberta Serenari - Omaggio a Balthus (2003)
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Eleuterio Pagliano  Scuola di Pittura
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Sculptures by Keith Lemley by Amanda Jakubik The sensorial sculptures of Keith Lemley stem from the grand idea, that an “invisible presence exists in our minds and surrounds all objects, experiences, and memories,” states the Artist’s Statement. Check out how he translates that to art into interio
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Sculptures by Keith Lemley by Amanda Jakubik The sensorial sculptures of Keith Lemley stem from the grand idea, that an “invisible presence exists in our minds and surrounds all objects, experiences, and memories,” states the Artist’s Statement. Check out how he translates that to art into interio
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Sculptures by Keith Lemley by Amanda Jakubik The sensorial sculptures of Keith Lemley stem from the grand idea, that an “invisible presence exists in our minds and surrounds all objects, experiences, and memories,” states the Artist’s Statement. Check out how he translates that to art into interio
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Thomas Edwin Roberts (1820 - 1901) - The discovery
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Emilio Sobrero
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Édouard Vuillard, Portrait de Pierre Bonnard (1930-1935)
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Matthias Stormer (1600 - circa 1650) - Jacob and Esau
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Cristina Francov - Insensitive to Your Flames
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Love In White by Istvan Sandorfi
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bath-salts: The Wings of Love by Stephen Pearson
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Daniel G. Walczyk - Javascapes
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来自摄影师 Marcel Christ 的作品《Clouds》(云),拍摄对象为水下的颜料
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Albert Birkle
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Flying Houses by Laurent Chehere illustration flying digital
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A Man in a Room, 1630    Rembrandt van Rijn
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Alfonso Simonetti (1840-1892) “Ancor Non Torna” for Radcliffe’s “Romance of the Forest”
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Ethan Breckenridge - No Back to Turn Back To (2005)
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Everett Shinn    The Singer, 1920
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Alessandro Pomi (Italian, 1890-1976), Nello studio [In the studio], 1920s. Oil on canvas, 187 x 194 cm. Private collection.
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Alessandro Pomi (Italian, 1890-1976), Cenacolo, 1931.
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George Sotter (1879-1953), Silent Night (detail), ca. 1923
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Vanity  Pierre Charles Comte (1823-1895)
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